Eliot called Gerontion
Narrative
A world of even deeper intrigue and intrigue ensues, as the characters fight their own battles while battling existential threats to the nation and the world. Check out our list of renewals and cancellations to see if your favorite show has made it.. the opening credits introduce the series’ characters and scenes interspersed with mirrored panes. Former CIA Director of Counterintelligence James Jesus Angleton, also known as “the Spy Poet,” often described the intelligence game as “a desert of mirrors,” a phrase borrowed from a poem by T.S.
In US
In the world of intelligence, in the search for truth, it is difficult to distinguish between reality and its reflection, an illusion, if you will, as if one were in a “Hall of Mirrors”. During a dialogue from a Martian in a discussion with Dr. Blake, the acronym "OBE" is incorrectly explained as "Overcome By Events". government agencies, including those in the intelligence community and the Department of Defense, the correct/official explanation of the acronym "OBE" is “Overcome By Events”..
The opening credits depict the characters and scenes of the series interspersed with mirrored panes
Former CIA Director of Counterintelligence, James Jesus Angleton, also known as the “Spy Poet”, described the intelligence game as a “Desert of Mirrors”, a phrase borrowed from a poem by T.S. Eliot, called Gerontion (the title is Greek for “little old man,” and the poem is an interior monologue, connecting the opinions and impressions of an elderly man who describes Europe after World War I through the eyes of a man who lived most of his life in the 19th century). In the world of intelligence, in the search for truth, it is difficult to distinguish between reality and its reflection, an illusion, if you will, as if one were in a “Hall of Mirrors.”. Presented in Graham Norton and guests: Cher/Keira Knightley/Michael Fassbender/Josh Brolin/Jaylen Ngonda (2024).
Then it’s action
Ogletree gets great lines, delivered in an individual way that is almost as delightful as Bosch chewing out his subordinates. These are heavy actors, this is not a silly farce starring Felicity, this is Slow Horses and the Day of the Jackal. One moment it’s a visual delight, like a music video with a creepy Steadicam and expertly framed shots. The next it’s romance.
I can’t get enough
Then it’s comedy, when Bosko flips the bird. Just like the previous installment in the Homeland series, this takes the cake for foreign adaptations. Where High Potential is nothing more than formulaic, network TV fodder, this is the juicy stuff you sign up for cable for.
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